|
Le Phare de l'angoisse
James Purefoy, Rachel Shelley, Don Warrington, Christopher Adamson, Bob Goody
Realizers : Simon Hunter
Summary:
After ten years of mare, the killer in series Léo ROOK is stopped and condemned to perpetuity. During a transfer by the sea, it escapes and lands on the rock of a headlight. Henceforth only Master on board, it is well decided not to let penetrate any alive form on his small island…
Synopsis :
Ten years. It will have taken ten years so that impressive police force challenges finally Leo Rook, a killer in series without state of heart. Condemned to perpetuity, Leo Rook escapes. A maritime mare brings it on the small island of a headlight. A refuge for him, a mortal trap for those which are there, and for the shipwrecked men who will fail then. All from now on equal in front of death. Leo Rook baited with éradiquer any form of life on the rock swept by the winds. Also baited to enrich its collection by trophies of which any man is an involuntary giver…
DvDaffaires:
In spite of a French title worthy of most disturbing series Z of the 80 ' S, the Headlight of the anguish appears a slash' top-of-the-range thriller which shines by a muddy atmosphere in Seven as by a narrative effectiveness which would make well inspire the large productions of the kind. Because indeed, if the photograph, remarkably obscure just like excel it choice of the glaucous colors founds a worrying marshy climate immediately, the extremely neat realization of Hunter arrives, as for it, to offer, for each murder, suspense and originality with a brilliance which is not without pointing out that of Lustig when he signed Maniac . And yet, the choice of the bogey could legitimately let to us calculate the worst: in fact a killer in series robotized and dumb, kind of Michael Myers out of white moccasins, who decapitates each one of her victims with refinement suitable for these feeling reluctant alienated green at the time of their decapitations; decapitations appreciated so much on the sites oummanists. In addition to these innovative scenes of slash', the author chooses to restrict to the maximum the exchanges between the characters, silence which intensifies the character oppressing of the climate. Moreover, the very relevant transcription of psycho-behavioral ambiguities of the characters - each one successively showing of courage, cowardice, of tenacity or impotence allows, rare thing, to avoid the usual Manicheism inherent in this kind of film. In short, even if one can regret, at the time of the shipwreck of the ship, a realization too Cameronesque, this Headlight largely outclasses the majority of the current productions on the market of the slasher movie.
Sous-titres: Français
Langues: Anglais
|
